TWIN SHADOW- single/lançamento/news

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https://i1.wp.com/www.weallwantsomeone.org/wp-content/uploads/2011/09/Twin-Shadow-Changes.jpg                  Album cover by Michael Hutcherson

             Twin Shasdow está  lançando um  novo single chamado “CHANGES”em 15 de setembro

             já até veio ao Brasil para fazer apresentações neste ano e daquilo que ouvi

            é algo entre o exquisto e bucólico  chega a ser tão intrigante quanto aos filmes de  DAVID LYNCH por isso causa aqulea sensação  de  AME OU DEIXE mas c com toda certeza qualquer  que seja a sua opinião não dá para submestimar o talento e criatividade do rapaz

https://newrockerpost.files.wordpress.com/2011/09/twin2bshdow.jpg?w=300


Twin Shadow just released a new single today, “Changes”, over at his website. The song is a new version of “Circus Is Gone”, by the 1980s band Baggare. Listen to it below and download in exchange for an email address.

A press release notes that Twin Shadow’s hard at work on the follow-up to last year’s BNM’d Forget, with plans to release the new LP “in the first half of 2012” via 4AD.

 http://www.pitchfork.com/news/44015-listen-to-twin-shadows-new-single/

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ESTEVAN ORIOL-tatto/the69eyes/photos/metal

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TRABALHO DE RISCO

 

s

Esta capa  do  THE 69 EYES  banda de gothic metal fo  feita por  Estevan Oriol que tem trabalhos ligado a fotografia e a tatuagem o cart é fera nesta area

https://newrockerpost.files.wordpress.com/2011/09/img_1606.jpg?w=300

trabalho feito na tailandia

HERES SOME DIGITAL SHOTS OF MY LAST DAYS IN THAILAND,I HAD TO DO MY LAUNDRY CAUSE ALL MY SHIT WAS DIRTY FROM VIETNAM AND THEY DONT HAVE 4X’S EVERYWHERE,THE HOTEL DID IT AND BROUGHT IT BACK REAL CRISPY,TOONS DID A SICK MURAL IN A CAFE AT THE HOTEL.IT WAS A TRIP SEEING HOW THE SELL FOOD AND DRINKS IN THE STREET EVERYTHING COMES IN A BAG. I ROLLED TO SOME HOODS OUT THERE AND SEEN SOME GHETTO ASS MUAY THAI GYMS, BUT THEY WERE DOPE.TOONS TATTED A REPEAT CUSTOMER,THE HOMIE ANU GOT HIS WHOLE BACK BLASTED IN TWO SESSIONS,HE TOOK IT LIKE A CHAMP.I COULDNT DO ALL THAT ,THAT SHIT HURTS TO DAMN MUCH.MY LAST NIGHT, THE HOMIE TAT THAT PUT THE WHOLE TRIP TOGETHER INVITED US TO HIS HOUSE WITH HIS FAMILY FOR HIS BIRTHDAY ,GOOD FOOD AND A GOOD TIME,THANKS TO TAT AND HIS FAMILY FOR ALL THE HOSPITALITY.THE LAST SHOT IS OF THE AIRPORT SECURITY IN THAILAND SLEEPING ON THE JOB,MUST BE NICE! 

http://4.bp.blogspot.com/-DXUdANE81Ug/Tm6uRpySURI/AAAAAAAACIE/IVaVDcHuLSY/s1600/IMG_3359.JPG

 

http://1.bp.blogspot.com/-IbbQ88gPVtk/Tm6uYhh9UvI/AAAAAAAACIU/Gs3Inf408EU/s1600/IMG_3425.JPG

 

http://2.bp.blogspot.com/-vZFiQFInZHE/Tm6ucyEUjcI/AAAAAAAACIc/Y81bEjZOh9w/s1600/IMG_3466.JPG

 


http://estevanoriol.blogspot.com/

ROCK IN RIO-show/slipknot/globo/live/metallica

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AXE QUE NÃO TERIA HEAVY METAL

https://i1.wp.com/omelete.uol.com.br/images/galerias/rock-in-rio-2011/tb_dia-3-palco-mundo-rock-in-rio-2011-slipknot-foto-mauricio-santana-09.jpg

Na noite  do ultimo domingo vimos o que o festival deveria  ter em demaisia bandas de rock e heavy metal o ponto alto foi os  brazucas  DO GLORIA  cantando em portugues que realmente é algo muito desafiador. Os caras foram grandes e não deixaram nada a desejar as bandas  internacionais, depois vieram o Reis do Nu metal o Slipknot que apesar  da morte  do baixista  a banda parece ter superado o fato e tocou vários de seus sucessose a piroctenia da batera levou o público ao êxtase encerrando o seu show apocalitico tinha muito mascarados no festival mas os verdadeiros eram os
Slipknot .

 

https://i0.wp.com/omelete.uol.com.br/images/galerias/rock-in-rio-2011//dia-3-palco-mundo-rock-in-rio-2011-metallica-foto-raul-aragao-02.jpg  Logo viria  os Reis da Noite o Metallica  que logo começaria com  CREEPING DEATH   que nos caracteres da globo virou CREEP??? sem deixar  ninguém  dos 100 mil espectadores respirar vieram  RIDE  THE LIGHTING, FUEL,o ponto
alto  para mim foi a instrumental  ORION e aí vieram  BLACKNED,MASTER OF PUPPETS,CYRINEID.SAD BUT TRUE,  e por aí vai não  tocaram  SEEK AND DESTROY  respeito quem gosta mas este som já encheu meu saco
eu AxE QUE NÃO HAVERIA METAL  mas esta noite entra   para estória da mesma forma dos shows de  IRON MAIDEN,QUEEN E OZZY OSBOURNE esta noite do Metallica  foi o maximo.

 

JOE LALLY TRIO-DATA/FUGAZI/SHOW/

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https://newrockerpost.files.wordpress.com/2011/09/lally.jpg?w=300

 

Está confirmada uma série de shows de Joe Lally (Fugazi/Ataxia) no Brasil, acompanhado por Elisa Abela (guitarra) e Fabio Chinca (bateria).

 

A turnê faz parte do lançamento de seu mais recente disco “Why Should I Get Used To It”, lançado pela Dischord Records nos EUA e pela Desmonta no Brasil.

Em Ribeirão Preto, o trio se apresenta na Fnac RibeirãoShopping, através do projeto Groselha Fuzz Sessions, dia 7 de outubro.

A turnê segue também para países da Europa, Japão, Argentina e EUA. Veja as datas confirmadas:

06 de agosto: Genk, Bélgica @ Absolutely Free Festival

08 de setembro: Tokyo, Japão @ Shibuya O-East

10 de setembro: Yokohama, Japão @ B.B. Street

11 de setembro: Tokyo, Japão @ Shibuya O-Nest

12 de setembro: Nagoya, Japão @ Tokuzo

13 de setembro: Osaka, Japão @ Sunsui

14 de setembro: Kobe, Japão @ Helluva Lounge

15 de setembro: Kochi, Japão @ Chaotic Noise

16 de setembro: Hiroshima, Japão @ Club Border

17 de setembro: Tokyo, Japão @ Koiwa Bush Bash

30 de setembro: São Paulo, Brasil @ CCSP

01 de outubro: Recife, Brasil @ Santander Cultural

02 de outubro: Porto Alegre @ Santander Cultural

03 de outubro: Rio de Janeiro, Brasil @ Audio Rebel

05 de outubro: Suzano, Brasil @ Teatro Municipal

06 de outubro: São Paulo, Brasil @ Serralheria

07 de outubro: Ribeirão Preto, Brasil @ Fnac

09 de outubro: Buenos Aires, Argentina @ Salón Pueyrredón

05 de novembro: Austin, EUA @ Fun Fun Fun Fest

06 de novembro: Dallas, EUA @ Bryan Street tavern

07 de novembro: OK City, EUA @ UCO Performance

08 de novembro: Kansas City, EUA @ Record Bar

09 de novembro: St Louis, EUA @ Off Broadway

10 de novembro: Chicago, EUA @ Schuba’s Tavern

11 de novembro: Pontiac, EUA @ The Vernors Room

12 de novembro: Toronto, Canadá @ Drake Hotel

13 de novembro: Montreal, Canadá @ Casa del Popolo

14 de novembro: TBA

15 de novembro: Allston, EUA @ Great Scott

16 de novembro: New Haven, EUA @ Bar Night Club

17 de novembro: Brooklyn, EUA @ Knitting Factory

18 de novembro: Philadelphia, EUA @ Kung Fu Necktie

19 de novembro: Baltimore, EUA @ Golden West Cafe

20 de novembro: Washington DC, EUA @ Black Cat

http://www.joelally.com/

http://www.groselhafuzz.com.br/hello/joe-lally-trio-confirma-turne-no-brasil-e-faz-show-no-groselha-fuzz-sessions-em-outubro/

  • Categoria: Show

  • Gênero: CCSP

  • Local: Centro Cultural São Paulo

  • Cidade: São Paulo/SP

  • País: Brasil

  • Endereço: Rua Vergueiro, 1000 – Paraiso

  • Cep: 01504-000

VERONICA FALLS-NEW/ROCK/ALBUM/LANÇAMENTO

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Veronica Falls

portuguese and english

 

No final do video do  “Bad Fellings”Roxanne Clifford, a vocalista ruiva que toca guitarra e com influencias da  polka. O recente indie rock cometando
Veronica Falls no final do video há uma curiosidade segundo a matéria

tem iconoclastico momento George Michael

https://i2.wp.com/www.reverbcity.com/images/editor/veronica-falls.jpg

Veronica Falls banda hybrida  de londrinos e escoses fez muita gente  ouvir certos como  Found Love In a Graceyard feito a dois nmaos atrás e tembém veio Beachy Head e Bad felling e Come On Over neste ano

At the end of the video for Veronica Falls’ “Bad Feeling“, Roxanne Clifford, the group’s bob-haired singer/guitarist, clad in a dashingly fey polka-dot blouse, picks up an antique book– the ultimate twee signifier– and lights it on fire. Given indie rock’s recent jangle-pop overload, and the comments that Veronica Falls have made in the press (“people like to romanticize about C86 [but] there were lots of rubbish bands associated with it…”), it’s tempting to wonder aloud: is “Bad Feeling” the C86 version of that video where George Michael goes iconoclastic on us and sets his own leather jacket ablaze?

Well, maybe not, but at the very least it’s a decent visual metaphor for the band’s sound: expertly stagy revivalism with the slightest hint of mutiny. You could have said the same thing of Slumberland labelmates and fellow fresh-faced indie poppers the Pains of Being Pure at Heart when they first burst out the gates with Pastels badges on their sleeves– the quartet’s self-titled debut hits with the same sort of immediacy that that first Pains LP did. Both records do familiar things so well that, occasionally, momentarily, they actually trick you into thinking you’ve never heard anything like them before.

But, of course, you have. In fact, if you’ve been paying any attention to Glasgow/London hybrid Veronica Falls, you’ve actually heard some of these very songs before: The single “Found Love in a Graveyard” made the rounds almost two years ago, and then came “Beachy Head”, “Bad Feeling“, and “Come on Over” earlier this year. But after a run of strong 7″‘s, their self-titled debut finally confirms that Veronica Falls are more than a singles band. Though they operate with a pretty limited sonic palette (boy/girl harmonies; dueling, reverb-drenched guitars; lots of tambourine), there’s a sustained momentum over these 12 tracks that even manages to bring in some unexpected influences– “Beachy Head” sounds like a zombified Mamas and the Papas thrashing at surf-punk guitars with shards of glass.

Given the group’s penchant for ghosts and reverb, it’s tempting to grab for a familiar collection of low-hanging adjectives: dreamy, ethereal, haunting– except that, actually, Veronica Falls is none of these things. There’s a striking physicality to these songs, and Guy Fixsen and Ash Workman’s production makes every tambourine beat hit with the clarity of a shattering window. The guitar sound is immaculate: Clifford and James Hoare’s strings don’t jangle so much as bristle– taut chords that dart restlessly in and out of each other’s way. There’s a clarity of texture– a specificity even– to every element of the band’s sound. Which makes it something of an anomaly: shoegaze that looks you square in the eye.

Thematically speaking, shit’s dark. There’s a song called “Misery”, there are not one but two songs in which the narrator’s lover might be a ghost (“Graveyard”, “Bad Feeling”), and though “Beachy Head” might sound like a carefree postcard from indie rock’s current backdrop of choice, it’s actually about jumping off a cliff and drowning yourself. Thankfully, the record ends on a high in every sense: “Come on Over” is perhaps the most hopeful– and best– track the band’s got to their name. “Crimson and clover, I’ll touch your shoulder,” Clifford sings over the mounting tension of a furiously strummed guitar. It’s the Veronica Falls aesthetic in miniature: the ghosts of pop past conjured convincingly and intimately enough to feel like flesh and blood.

http://veronicafalls.com/

JUNKYARD-rock/minor treath/hardcore/anos90

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JUNKYARD – UM PASSADO HARDCORE

portuguese and english

Junkyard chamou mais  aatenção pelo guitarrista Brian Baker ter feito parte
de bandas como MINOR TREATH e  DAG NASTY  bandas que faziam parte do movimento STRAIGH EDGE  do que pelo seu hard rock que vai bem
na linha de bandass como  ENUFF Z’NUFF e L.A.GUNS que são bem melhores
mas em todo caso esta é uma curiosidade desta banda dos anos 90

Formado em em 1987 fazendo  o estilo sleaze rock/hard rock vindo da cidade
de los angeles, fa banda foi comparada ao Guns n’ roses já que assinaram na epoca com a Geffen

TA formação original é  David Roach (vocals), Chris Gates (guitar, ex-Big Boys), Brian Baker (guitar, ex-Dag Nasty/Minor Threat),[3] Clay Anthony (bass) and Patrick Muzingo (drums).[4] com forte influencia do Southern rock
DAG NASTY ABAIXO

Junkyard is a hard rock/sleaze rock band formed in 1987 in Los Angeles, with members formerly in Minor Threat, The Necros, and Dag Nasty. The band has often drawn comparisons with Guns N’ Roses (which, like Junkyard, signed with Geffen Records).

History

The original line-up of the band was David Roach (vocals), Chris Gates (guitar, ex-Big Boys), Brian Baker (guitar, ex-Dag Nasty/Minor Threat),[3] Clay Anthony (bass) and Patrick Muzingo (drums).[4] Although the band was heavily influenced by Southern rock, Baker had told Sounds, “I hate the concept. I like that music but I’m not into the rebel flag or the throwing up in your pickup truck”.[5] The band was signed by Geffen Records in January 1988,[6] with a self-titled Tom Werman-produced debut album issued in 1989, described by Allmusic as incorporating “elements of Southern rock, boogie-woogie, and AC/DCism into one compact sound”,[3] “, </ref> This was followed two years later by Sixes Sevens & Nines, produced by Ed Stasium and featuring contributions from Steve Earle.[4][7] Anthony left the band shortly before the release of the second album amid drug problems,[8] to be replaced by Todd Muscat.[4] The band was dropped by Geffen in 1992, with a third album recorded but not released, and disbanded shortly afterwards.[4] The unreleased third album was subsequently issued as XXX and The Joker.

minor treath

Roach founded Borracho with members of Promise and Dogs D’Amour, while Gates formed 99lbs.Muzingo formed Catfish and later Battery Club.
Junkyard is a hard rock/sleaze rock band formed in 1987 in Los Angeles, with members formerly in Minor Threat, The Necros, and Dag Nasty. The band has often drawn comparisons with Guns N’ Roses (which, like Junkyard, signed with Geffen Records).

http://www.lastfm.com.br/music/Junkyard?ac=JUNKYARD